See also, William Blake Criticism.
In the forests of the night; What immortal hand or eye, Could frame thy fearful symmetry? In what distant deeps or skies. Burnt the fire of thine eyes? On what wings dare he aspire? What the hand, dare seize the fire? And when thy heart began to beat, What dread hand?
Did he smile his work to see? Did he who made the Lamb make thee? Tyger Tyger burning bright, In the forests of the night: What immortal hand or eye, Dare frame thy fearful symmetry?
Summary The poem begins with the speaker asking a fearsome tiger what kind of divine being could have created it: Comparing the creator to a blacksmith, he ponders about the anvil and the furnace that the project would have required and the smith who could have wielded them.
And when the job was done, the speaker wonders, how would the creator have felt?
Form The poem is comprised of six quatrains in rhymed couplets. The simplicity and neat proportions of the poems form perfectly suit its regular structure, in which a string of questions all contribute to the articulation of a single, central idea.
Commentary The opening question enacts what will be the single dramatic gesture of the poem, and each subsequent stanza elaborates on this conception.
Blake is building on the conventional idea that nature, like a work of art, must in some way contain a reflection of its creator. The tiger is strikingly beautiful yet also horrific in its capacity for violence.
What kind of a God, then, could or would design such a terrifying beast as the tiger? In more general terms, what does the undeniable existence of evil and violence in the world tell us about the nature of God, and what does it mean to live in a world where a being can at once contain both beauty and horror?
The tiger initially appears as a strikingly sensuous image. However, as the poem progresses, it takes on a symbolic character, and comes to embody the spiritual and moral problem the poem explores: The smithy represents a traditional image of artistic creation; here Blake applies it to the divine creation of the natural world.
It also continues from the first description of the tiger the imagery of fire with its simultaneous connotations of creation, purification, and destruction. The speaker stands in awe of the tiger as a sheer physical and aesthetic achievement, even as he recoils in horror from the moral implications of such a creation; for the poem addresses not only the question of who could make such a creature as the tiger, but who would perform this act.
This is a question of creative responsibility and of will, and the poet carefully includes this moral question with the consideration of physical power.
The reference to the lamb in the penultimate stanza reminds the reader that a tiger and a lamb have been created by the same God, and raises questions about the implications of this.
The perspective of experience in this poem involves a sophisticated acknowledgment of what is unexplainable in the universe, presenting evil as the prime example of something that cannot be denied, but will not withstand facile explanation, either.In this essay I am going to explore Blake’s Chimney Sweeper poems from the Songs of Innocence and the Songs of Experience.
During this essay I will cover Blake’s life and times and the way chimney sweepers get treated around that time and what Blake attempts to do . Songs of Innocence and of Experience study guide contains a biography of William Blake, literature essays, a complete e-text, quiz questions, major themes, characters, and a full summary and analysis.
Essays and criticism on William Blake's Songs of Innocence and of Experience - Criticism. Individual Earth Songs - This is a collection of environmental songs, ecology music, albums, and songbooks with lyrics that promotes the love and protection of the Earth.
- William Blake's The Chimney Sweep and Songs of Innocence and Experience In this essay I will attempt to analyse, compare and contrast the poems 'The Chimney Sweep' from both 'Songs of Experience' and 'Songs of Innocence' which were both written .
Songs for a New World is a work of musical theatre written and composed by Jason Robert barnweddingvt.com was Jason Robert Brown's first produced show, originally produced Off-Broadway at the WPA Theatre in Brown and director Daisy Prince put together songs he had written for other venues and events, resulting in "neither musical play nor revue, it is closer to a theatrical song cycle, a very.